Bridge II

                                                                            

Bridge I

To twoetchings  above (BridgeI and II) have been reworked from their previous state. I have added several new layers of information by re-grounding the plate and adding new elements of line and tone.
This will serve as a springboard into new work over the summer period. The images were taken from photographic reference of  two bridges being constructed over a river in North America.

Transmission II

Transmission III

 

Transmission III

The Triptych of based on the Lovell Telescope at Jodrell bank has now been completed.The work has taken me 8 months and I feel has now finally been resolved. The size of the etching plate is 63cm x 52cm.Working on this scale has been a challenge at times but I do feel helps give the work more weight and gravitas. I am now in the process of promoting the work into existing Galleries and finding new avenues to exhibit.
Where next? I have unfinished business with the Maunsel sea forts and really want to do such a fascinating site justice. I also have some new possibilities in working at some old MOD sites.
I aim to be posting a bit more regularly in future so please watch this space or get in contact if interested in ongoing projects.

I have now started to look at and reference my original drawings  and begin to edit and abstract the imagery. The series above and the image below are an example of how I have started to us the etching process as away to represent and realise this. Etching gives me the ability to be able to take a proof and re-work, add and edit information.

 

 The two series below are ongoing  and will be re-worked.The lessons learnt from these smaller pieces will  feed into larger pieces to be made for the new year.



  

 

Transmission II

 In working between working on the Maunsell project I had the opportunity this week to finish Transmission II. I have been working on this piece for several months and it will form part of a triptych alongside Transmission  and finally Transmission III which will hopefully be completed in the Autumn. The Triptych is based on the lovell telescope at Jodrell bank.

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www.jodrellbank.manchester.ac.uk/.../LovellTimelaps...

Getting started

The images below are my early representational drawings of the sea forts. These studies allowed me to start to understand the form, tone, textures and scale  and how if could represent them. They were drawn on a smooth fabriano paper which allowed me to achieve a greater range of tone with the graphite.

Sea fort study

Sea fort studies

Quick pencil study

As I was drawing the sea forts I was becoming increasingly aware of the graphic forms and textures within them. The pieces below are a more abstract approach to the subject. I have started to break the image down to more basic graphic forms used to form a composition in which to add texture and surface qualities related to the original drawings completed earlier.

Shape studies

 

Abstract form

Detail

Detail

Although by no means resolved I feel there could be potential and aim to take some of these images into the etching process.

Source of Inspiration

The Shivering Sands and Redsands Maunsell Sea Forts were built in 1942 at Northfleet, Kent and are six-eight nautical miles off the East Kent coast. They were created as anti-aircraft and observation platforms to disrupt  the German Luftwaffe on bombing runs to London.
The design and manufacture of these platforms was also the early  fore runner for the oil platforms of today.

The forts are visible from the Kent and Essex coastlines. They were  de-commissioned in the 1950's,

but were brought, briefly back into use in the 1960s by pirate radio stations.  The forts have stood derelict and disused since then acting as a reminder of the past conflict.

Project Redsand has been established to secure the future of the Forts and the group are working towards the listing of the Redsand Towers as a National Monument and Heritage site. Late last year I was able to visit the site by fishing boat  and board the towers for a couple of hours. I was fascinated and inspired by these futuristic and brutal  looking structures. I managed to do a series of quick pencil studies and record video and sound from the top of one of the platforms. I then plan to use this reference to create a new body of work inspired by my trip to the Maunsell seaforts.

A blank canvas

Now that all teaching commitments have finished for the year I am in the fortunate position that I can use the current Drawing and Applied Arts Level 3 studioat the UWE. I plan to work on my Maunsell sea forts project and use the time to explore different ways to represent this inspiring and fascinating location.
The images attached are of the empty studio, this blank canvas will give me the space and time needed to investigate my practice and hopefully highlight new avenues to explore. I will be uploading my work in progess and any relevant reference that has had an influence.